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Eva, épouse d'un pasteur, écrit à sa mère Charlotte, une pianiste de talent qu'elle n'a pas revue depuis sept ans. Charlotte, qui porte le deuil de son compagnon, accepte de se rendre chez sa fille. Les retrouvailles sont chaleureuses et émouvantes jusqu'à ce qu'Eva apprenne à sa mère que son autre fille, Hélène, infirme incurable, vit recluse au presbytère. Charlotte semble contrariée ; en fait, elle est responsable du malheur d'Hélène. Petit à petit, la tension monte. Pendant toute une nuit, les deux femmes vont s'affronter…
Avis de la communauté (4)
There's no better sleeping pill than a Ingmar Bergman film
The original title of the film is Höstsonaten.
What a masterpiece! I must admit that the few Bergman films I've seen so far have never truly captivated me, despite their supposedly high-caliber works. But this long-overdue revelation and merciless reckoning of a daughter with her mother was simply wonderful to watch and gripped me from the very first moment so intensely that I was sometimes breathless with the oppressive atmosphere. With the incredibly powerful performance of Liv Ullmann and the stunning film legend Ingrid Bergman, who even in her later years delivered a captivating and impressively magnificent performance, this film, which resembles a stage play, was almost perfect for me.
Absolute Masterpiece Perfect Acting To be seen again and again