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Necesito creer que algo extraordinario es posible...
Obsesionado con la búsqueda de una idea matemática original, el brillante estudiante John Forbes Nash llega a Princeton para realizar sus estudios de postgrado. Es un muchacho extraño y solitario, al que sólo comprende su compañero de cuarto. Por fin, Nash esboza una revolucionaria teoría y consigue una plaza de profesor en el MIT. Alicia Lardé, una de sus alumnas, lo deja fascinado al mostrarle que las leyes del amor están por encima de las de las matemáticas. Gracias a su prodigiosa habilidad para descifrar códigos es reclutado por Parcher William, del departamento de Defensa, para ayudar a los Estados Unidos en la Guerra Fría contra la Unión Soviética.
Avis de la communauté (10)
An emotional roller-coaster of a film. Incredibly captivating plot that subverts expectations and delivers an inspirational story, educating on the effects of mental illness and the importance of resilience in the face of adversity.
Russell Crowe is very good. The movie does a good job of making us feel what he is going through.
It’s one of those films that’s easy to watch and easy to remember, but that leaves a strange feeling once it’s over. It works, it’s well told, it’s professionally made and backed by strong performances, yet it never fully gets under your skin. You’re interested in what it’s saying, you follow the character’s journey closely, but there’s an emotional distance that never quite disappears. Russell Crowe is the film’s main pillar. His performance is solid, detailed and carefully restrained, built on small gestures rather than big dramatic moments. He makes the character believable even when the script simplifies complex situations. It’s easy to see why his work was so widely praised: he carries the film from start to finish and keeps it from drifting into pure artifice. Ron Howard directs with a classical sense of control and undeniable narrative clarity. Everything is well explained, neatly ordered, and designed so the viewer never feels lost. That works in the film’s favor as entertainment, but it also strips away some mystery and risk. At times, it feels too calculated, too polished to truly unsettle. The most interesting moments come when the story ventures into the protagonist’s mind and allows itself to be more ambiguous and unsettling. That’s when the film breathes more freely and becomes more suggestive and less predictable. But whenever it seems ready to go deeper, it retreats back into a very familiar, almost textbook structure. In the end, it’s an honest and effective film, easy to watch and true to what it sets out to do. But it also prioritizes accessibility and controlled emotional impact over real complexity. Everything fits, everything flows, but it rarely surprises. A well-made, well-acted story that remains slightly cold at its core. It holds your attention more through craftsmanship than through emotion, and for such an extreme life story, that leaves a faint sense of dissatisfaction.