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Le destin tragique de trois adolescents dans une petite ville de Corée. Chang-Guk vit avec sa mère prostituée dans un vieux bus américian converti en habitation. Jihum est le fils d'un vétéran de la guerre de Corée et travaille comme peintre assistant dans une boutique de portrait. Quant à Eunok, elle a perdu son père pendant la guerre. Tous ont été marqués par l'histoire de leur pays.
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This isn't a film "to enjoy." It's one to endure. Contaminated by wounds that never healed. Nothing is clean: not the violence, not the desire, not the identity, not the love. There's no explicit horror, but something more unsettling: everyday cruelty. The camera doesn't judge or explain. It observes. And that's worse. Each character is trapped in a kind of limbo: children of absent parents, from countries that no longer exist, from wars that ended on paper but still throb in their blood. Visually, it's stark, cold, almost documentary-like. The color red (the bus, the blood, certain objects) appears like a scream in the middle of a gray world. Nothing is left to chance. It's not cinema for passive viewers. It's cinema that looks back at you and asks you what you do with other people's pain.
One of the most brutal, bleakest films ever made (IMHO). Pop some popcorm, gather the family around and settle in for a depressive ride!