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Tremblez devant la puissance des dieux !
Vingt ans après que le roi d'Argos l'ait condamné à l'exil, Persée, fils du dieu Zeus et de la mortelle Danaé, doit reconquérir le royaume qui lui appartient. Soutenu par son père, il commence par libérer la princesse Andromaque, et en tombe éperdument amoureux. Mais la déesse Thétis et son fils, Calibos font peser sur la belle une terrible malédiction : tous ceux voulant l'épouser devront, sous peine de mort, répondre à une énigme. Jusqu'ici, aucun n'a su trouver la bonne réponse...Qu'à cela ne tienne, Persée a bien l'intention de défier la puissance des dieux et de braver mille dangers pour réaliser l'impossible : affronter des sorcières démoniaques et cannibales, combattre le cerbère, trancher la tête de Méduse, une créature capable de changer ses victimes en statues de pierres...
Avis de la communauté (10)
Love these types of films, on the lines of Jason and the Argonauts, the seventh voyage of sinbad and always love the effects all the films give and this is still a good film and not outdated and entertaining. It didn’t need a remake..
The effects aren't going to sit well with millennials and today's jaded audiences, but if you look passed that there's a wonderful fantasy tale here.
Fans of stop-motion animation know this movie as a great achievement. This was special effects genius Ray Harryhausen's last movie and he demonstrated what an expert he truly was. Many people scoff at this movie's effects because they seem crude coming after the jaw-dropping "Star Wars". I choose to appreciate them because they seem like a tribute to the great stop-motion films of the past, like "King Kong", "Jason and the Argonauts", the "Sinbad" movies and others. There are many impressive creature creations. Medusa, the Kraken, the giant scorpions; they all deserve consideration as the greatest entries in the stop-motion Hall of Fame. The scene with Perseus hunting for the head of Medusa remains tense and suspenseful. Medusa slithers around her lair hunting for Perseus, the silence broken only by her flying arrows and rattling tail. The Kraken is also impressive, a giant beast from the sea summoned by Zeus and released by underwater god Poseidon. Where "Clash of the Titans" falls apart is the frustrating scenes with the gods who bicker and place curses on the favorite mortals of each of them. I also continue to wonder why Poseidon has to pull a lever to release the Kraken? If the Kraken is so powerful, how can it be caged? If Zeus is really all-powerful, why doesn't he just retrieve the magic invisible helmet for Perseus after he loses it? Why does the blood of Medusa only turn into giant scorpions when her head is poked with a big fork? But putting all of these questions aside, "Clash of the Titans" is a fun last hurrah for one of stop-motion animation's greats.
A fun swords-and-sandals adventure that I have fond memories of watching when I was a kid. It's still perfect for a lazy weekend's viewing. Perseus battling with the suitably creepy Medusa is definitely the film's highlight.
Sure, it is easy to point at the effects today, where we are treated to great computer imagery. And you could say that even for 1981 this looks outdated, more like from the sixties. But that's not the point, it was a style of filmmaking. Ray Harryhausen at it's best. He influenced the likes of Spielberg, Lucas, Cameron and many more. It's fair to say that without Ray there would be no Star Wars, no E.T., no Terminator and ultimately maybe no LotR or Marvel movies. Or at least not at the time they were made. It's a process, one thing leading to another. You should keep that in mind before judging this movie.