Cargando...
Cargando...



La búsqueda de la perfección nunca termina
París, 1964. El escultor y pintor suizo Alberto Giacometti, uno de los artistas más consumados y respetados de su generación, pide a su amigo, el escritor estadounidense James Lord, que pose para él con objeto de hacerle un retrato, asegurándole que no tardará más de dos o tres horas, una tarde como máximo.
Avis de la communauté (3)
I'm not well acquainted with Giacometti's life or work, but this film is an interesting look into a mad man's process.
This film is like posing for a portrait: long, repetitive and tiresome. I felt I was supposed to like this _Final Portrait_ as it had art, Paris and jazz, but the film didn't try to give me enough of any of those to care.
On the surface, this feels like a slight piece of filmmaking. Yet, like any great art, it is also finely nuanced, with much to enjoy beyond face value.