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Nada jamas lo sostuvo como la soga de Alfred Hitchcock
A casa de dos estudiantes van llegando los invitados a una especie de fiesta de fin de curso. El invitado que más temen es su tutor y profesor, un astuto criminólogo que sostiene que el crimen perfecto no existe, aunque ellos se han propuesto demostrar lo contrario. En efecto, con su llegada crece cada vez más la tensión y el nerviosismo de los jóvenes. Y no es para menos, porque tienen un cadáver encerrado en el arcón que sirve de mesa para la cena. Cuando, al final de la fiesta, profesor y alumnos se quedan solos, los errores y contradicciones en que éstos incurren son tales que el profesor empieza a comprender que han asesinado al joven invitado que han estado esperando en vano toda la noche.
Avis de la communauté (9)
One of Hitchcock's best films
It's amazing watching the movies that inspired all the ones that came after it. The continuous shot illusion here is flawed yes, but obviously genius for the time. The performances and the tension keep your eyes glued to the screen. It's also interesting to see how so many of the villains in Hitchcock's movies are queer coded - at the time that came from his fascination with the twisted, but he couldn't have predicted that these villains would make the heroes of his stories incredibly dull in comparison - that is especially obvious in this film. Now, funnily enough, Hollywood is obsessed with making stories about villains, we've become the celebrated protagonists.
What a great movie, this one proves why Hitchcock is called as the master of suspense. Also it's great to know how this movie is well directed, everything has a meaning: the voices, the way of some character is looking, the way that they move...
Nearly perfect. Nothing wasted. It's in color BTW.
2 whole words. The Homoeroticism