


Season 4
At the top of their game and living the lives they set out to have as Pierpoint grads, Harper and Yasmin are drawn into a high stakes, globetrotting cat-and-mouse game when a splashy fintech darling bursts onto the London scene. As Yasmin navigates her relationship with tech founder Sir Henry Muck and Harper is pulled into the orbit of enigmatic executive Whitney Halberstram, their twisted friendship begins to warp and ignite under the pressure of money, power, and the desire to be on top.

PayPal of Bukkake
While Harper makes a bold move as head of her own fund, Whitney Halberstram works to ensure the successful evolution of Tender.

The Commander and the Grey Lady
As Yasmin brings the industry to Henry for his birthday party, Harper takes the opportunity to learn more about Whitney.

Habseligkeiten
As Harper and Eric embark on a new partnership, Yasmin and Henry find the lines between business and pleasure beginning to blur.

1000 Yoots, 1 Marilyn
While Whitney and Henry pursue a new partner for Tender's banking app, Harper gambles on an exposé of the company's business practices.

Eyes Without a Face
With the company's position collapsing, Sweetpea and Kwabena head to Accra to try to expose Tender's acquisition strategy with Whitney's right-hand man, Tony Day. Meanwhile, Harper and Eric get blindsided by personal news.

Dear Henry
Harper warns Yasmin of the incoming storm amid preparations to present SternTao's findings at the ALPHA Conference. Meanwhile, Whitney looks to expand Tender to the U.S. as he distracts Henry from his growing suspicions.

Points of Emphasis
After a surprising revelation, Yasmin and Henry must decide on their next move. Whitney continues to eye expansion, and Harper and Eric make strategic decisions for the fund.

Both, And
As Tender dominates the headlines, Yasmin seizes the chance at a new opportunity, while Henry considers whether to challenge the status quo. While Whitney scrambles for a way out, Harper faces a moment of reckoning.
Avis de la communauté (7)
this season didn't make me interested at all. disappointing
Industry season 4 looks nothing like the show it started as. The London bank setting is gone, the original cast of characters has been whittled down to just two, and what started as a group of young upcomers trying to buck the pressure of the wealthy and carve their own path has morphed into something that almost feels like the opposite. While finance jargon is continuously rattled off, at times feeling almost like the show is trying too hard, this season suddenly has a healthy dose of politics, espionage, and power brokering. There are plot threads that involve shadowy organizations and implied assassins. In a lot of ways, it feels like the show has jumped the shark. The season is filled with plot contrivances. Established characters make their last appearance on screen in pitiful ways. In a lot of ways, it is a mess. Yet. Yet. There is something oddly captivating about this chaos. Despite all the craziness, despite how different the show really is this season, it also keeps its two main characters, Harper and Yasmin, as its core foundation. Their character trajectories might seem unrealistic, but yet they feel authentic and true. This show might jump from headline to headline, trying to remain topical, but it also knows that these two characters, who constantly float in and out of each other's orbits, act as foils, two sides of the same coin. Both bitter towards their parents, confident that they deserve more, willing to grab it themselves instead of waiting for it to fall in their lap. This season is really just a showcase of how that energy can lead to drastically different results depending on how it is channeled. There was a lot I was unsure about in the finale, but seeing where these characters end up felt oddly rewarding, knowing that even though the showrunners are clearly making up the plot as they go along, there seems to be this clear arc for these characters that is thought through. And hell, when you can ignore the absurdity and this show is hitting on all its cylinders, it can be unlike anything else on TV. It can turn into a magnetic gothic ghost story one episode and shift into a look into the rise of fascism in the next. It may have its flaws, but there really is nothing else like Industry on TV right now.
While a little rough in the middle, and unfocused at the beginning, this season had a great ending. It's clear that this series' strength is when its protagonists and antagonists have their backs against the wall and are put in uncomfortable positions.
While a little rough in the middle, and unfocused at the beginning, this season had a great ending. It's clear that this series' strength is when its protagonists and antagonists have their backs against the wall and are put in uncomfortable positions.
While a little rough in the middle, and unfocused at the beginning, this season had a great ending. It's clear that this series' strength is when its protagonists and antagonists have their backs against the wall and are put in uncomfortable positions.