[IFFR'22] The director divides time into fragments to draw a non-linear narrative about past and present, establishing a Buddhist philosophy about the consequences of our actions and the omnipresence of the nature. The fragmented structure lends a thoughtful tone to the film, but fails to weave all the timelines together in a way that makes for a seamless narrative, but the reflections on oppression offer a subtle perspective that isn't just political.