[Cannes '25] The director uses elements of comedy, based on sexual encounters, which reflect the chaos experienced by a protagonist suffering from eco-anxiety in a world where human contact is increasingly distant. The film becomes more serious at times, when fantasies don't correspond with reality, but it never abandons an optimistic outlook. And when what seems like the beginning of the catastrophic outcome of our world erupts, it regains its lively tone. Its virtue lies in its ability to move between different genres without seeming to be moving from a pre-apocalyptic story to a romantic comedy.