[VdR '23] Composing images that have a pictorial tonality, with a panoramic format that is unusual in the non-fiction genre, the cinematography of Pablo Lago presents pictures of his family, his village, his grandmother waiting death in bed and himself. And it captures the Galicia of animas the one that coexists with the wandering souls that walk through the mist of the forests, the one from the past that is reflected in the present. It's an internal journey in search of identity, a poetic and reflective return that tries to recover a sense of belonging that he never had.