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Agent secret très, très spécial…
Un agent secret des années soixante est sorti du cryofreeze pour s'opposer à son plus grand ennemi des années quatre-vingt-dix, où ses attitudes sociales sont carrément déplacées.
Avis de la communauté (12)
Very well, where do I begin? My father was a relentlessly self-improving boulangerie owner from Belgium with low grade narcolepsy and a penchant for buggery. My mother was a fifteen year old French prostitute named Chloe with webbed feet. My father would womanize, he would drink, he would make outrageous claims like he invented the question mark. Some times he would accuse chestnuts of being lazy, the sort of general malaise that only the genius possess and the insane lament. My childhood was typical, summers in Rangoon, luge lessons. In the spring we'd make meat helmets. When I was insolent I was placed in a burlap bag and beaten with reeds, pretty standard really. At the age of 12 I received my first scribe. At the age of fourteen, a Zoroastrian named Vilma ritualistically shaved my testicles. There really is nothing like a shorn scrotum, it's breathtaking, I suggest you try it.
“Who does number two work for?” This is way more clever and funny then it should be.
Even today, long after its launch timer reached zero, Mike Myers's first romp as the gregarious gentleman spy with a heinous grill is mercilessly funny, shockingly well-written and every bit as entertaining as it was on day one. It's impressive enough for a film of this age to still retain so much of its initial charm, but to do so with the added weight of two derivative sequels, aping the original's best jokes at every turn, is borderline miraculous. Myers is at his rapid-fire best throughout this picture, setting up punchlines like dramatic authors might dangle plot threads, while somehow keeping the simple, delightful, central storyline in sight at all times. A biting satire of ’60s culture and, naturally, the James Bond flicks that primarily celebrated it, there's no shortage of ammunition for the SNL alum's comic WMDs, but amidst so many presses of that red button there's also a sweet, tangible thought at its core. Clever, side-splitting comedy that might just stay fresh for decades to come.
"Name? Austin Danger Powers. Sex? Yes please!" Those damned Seabass were mighty hungry weren't they? Anyway it has been awhile since I've seen this one and since I am slowly watching my way through all the 007 films again, I thought it would be a great time to see if I can still get a laugh out of Austin Powers. The answer to that is a simple yes. Some of the jokes are lame, but for the most part to me, it is still damn entertaining. The first installment, International Man of Mystery is a great introduction to the kind of humor these films have. Some things are dragged out, some are misses but most of the jokes are great in my book. Loved the interactions between Dr. Evil and Scott, show stealer in only one scene is Will Ferrell as Mustafa. The scene he gets burned is still epic. Can't stop laughin at that one. Alotta Fagina. The theme song. 1 MILLION DOLLARS. Judo Chop! And Random Task, who can forget him! Might be a bit nostalgia, might be because I'm into James Bond movies at the moment but the first Austin Powers is still a fun comedy these days!
A great parody on 60's and 70's James Bond movies. If you've seen those Bond movies, you'll instantly recognize so many of the, in retrospect, laughable plotlines, semi-evil villains, cheesy dialogues and oldfashioned special effects. Don't get me wrong; I love those Bond movies. But compared with 90's movies, they appear so old. And this parody just makes great fun of almost every aspect of it. Since it's a parody I won't go into the quality of the story, the acting, or presentation, because the only thing it should do is make you laugh. And for me that is just what it does, even 15 years after it's release. Cheesy and predictable, but still it makes me laugh so hard!