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Le futur et ses désavantages
Dans les années 2070, dans la citadelle de Libria, les émotions n'existent plus, supprimées par l'absorption quotidienne de Prozium. Cette drogue anti-anxiété rend les gens plus heureux et plus productifs. Les individus ont ainsi accepté de mettre de côté leur liberté pour vivre en harmonie avec leur dirigeant spirituel connu sous le nom de Père. Les personnes qui refusent de prendre leur dose sont considérées comme des rebelles et vivent en retrait de la ville. S'ils sont pris à jeun, c'est la peine de mort assurée. John Preston travaille au service de Père et applique la loi à la lettre. Un jour, celui-ci brise le flacon de sa dose et n'a pas le temps de s'en procurer une de rechange. Il est alors submergé par toute une gamme d'émotions. Victime d'un revirement spirituel qui le confronte à ses supérieurs hiérarchiques, il mène l'enquête sur ce nouvel état de vie.
Avis de la communauté (9)
This is awesome. Highly recommended.
Mix together 1984, Frarenheit 451, matrix and some hints of Metropolis and give it to a bad writer. The result can't be worse than this film. For a sci-fi lover is a must NOT TO BE SEEN.
Equilibrium is a smart and well-crafted science fiction thriller. In a dystopian future where emotion is outlawed and suppressed by the State a cleric charged with rooting out dissidents begins to experience emotion and has a crisis of conscience. The story deals with interesting questions about what makes a person alive and the purpose of the law. Featuring Christian Bale, Emily Watson, and Taye Diggs, the casting is quite good and delivers strong performances. Additionally, the choreography for the fight sequences is outstanding, and adds a lot of excitement and energy to the film. Still, there are some formulaic and stereotypical parts that detract a bit. Yet while it has its flaws, Equilibrium is a powerful and thrilling science fiction adventure.
A conceptual Christian Bale sci-fi vehicle that can't quite commit to its one primary plot point. It's the future, and we're living in a totalitarian regime thanks to a government-mandated drug that saps humanity of its ability to feel. Bale plays the cold, emotionless head of the gestapo, responsible for tracking and exterminating the few remaining shreds of liberal thought in the wild. Curiously, after incinerating every shred of artwork, poetry and literature he can find, this super-cop then retires to his ornately decorated office where a big show is made of the beautiful architecture and lavish sculptural decorations. The story's failure to comply with its own focal point doesn't end there, as Bale's coworkers and bosses are surprisingly animated and emotive for men supposedly removed from their own feelings. The plot offers no revelations, with the protagonist stomping through a shallow character arc and an overly simple, black-and-white evaluation of the grand scheme. There's fruit to be harvested here, but Equilibrium is either too short or too lazy to reach for it. A few very good action scenes (leading to an unusually high body count) are its only saving grace.