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Dans la ville agitée de Seaside, les villageois affluent vers le théâtre de marionnettes de Punch et Judy. Bien que Punch se proclame le plus grand marionnettiste et que son spectacle suscite les applaudissements de la foule, c’est Judy qui insuffle l’esprit artistique du spectacle. Mais après une beuverie et un incident tragique avec leur enfant, Punch, au tempérament colérique, bat brutalement Judy, la laissant pour morte dans les bois. Recueillie par le docteur Goodtime et une société de parias, Judy complote sa revanche.
Avis de la communauté (4)
Quite a clever retelling of the Punch and Judy puppet show, with good period detail and a fun cast. It is quite macabre at times, though as the original show tells a twisted tale anyway, this can only by expected.
A fascinating socio-political study of proto-feminism mixed with exceptionally dark comedy The debut feature from Australian actress turned writer/director Mirrah Foulkes, working from an idea by English actress Lucy Punch (which, given the subject matter, seems like it's a joke, but isn't) and her brother Tom, Judy & Punch is a (very) dark comedy that presents the fictional background behind the early years of the (in)famous puppet show. Essentially a study in proto-feminism, a look at :pound_symbol:MeToo sensibilities applied to a very un-:pound_symbol:MeToo society, it's a strange mixture of Monty Python-esque slapstick and serious social critique, taking in misogyny, domestic violence, witchcraft, social stratification, and the exploitation of old age, and wrapping it all up in a gleefully anachronistic and pseudo-magical realist aesthetic, not entirely dissimilar to what you might find in the work of Angela Carter. It's a curious mix that really shouldn't work, and, for many, it probably won't. I can see some finding the tonal balance too skewered towards socio-political protest for it to work as a comedy, whereas others will argue that the comic elements undermine the seriousness of the socio-political agenda. For me, although the film is a beat too long at 105 minutes, I thought Foulkes just about got away with the tonal balancing act – most of the humour lands and most of the political material is well-handled. She's also helped immeasurably by strong performances across the board and a stunning visual design, which is especially accomplished given that this is her first feature. For my complete review, please visit: https://boxd.it/SOAmj
The music in this is really great, Mia Wasikowska is always amazing, and I weirdly like how the comedy combined with the violence makes every time I laugh uncomfortable, like I'm no better than the people in the movie laughing at the ultra violent puppets. Also I can't even describe how I gasped when [spoiler] Punch tripped and threw the baby out the window, I was so concerned for that baby the minute he set her down in front of the fire [/spoiler] and that was THE LAST THING I expected to happen. So it gets points for surprising me.
Looks promising, funny and but crazy