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Helsinki. Deux destins qui se croisent. Wikhström, la cinquantaine, décide de changer de vie en quittant sa femme alcoolique et son travail de représentant de commerce pour ouvrir un restaurant. Khaled est quant à lui un jeune réfugié syrien, échoué dans la capitale par accident. Il voit sa demande d’asile rejetée mais décide de rester malgré tout. Un soir, Wikhström le trouve dans la cour de son restaurant. Touché par le jeune homme, il décide de le prendre sous son aile.
Avis de la communauté (2)
Mixing elements of realism and surrealism, in his latest work Aki Kaurismäki shows us, once again, the harshness and misery of what being an immigrant in the XXI comprises. Not of course without sparkling such harsh reality with a touch of hope and great comedy. As per usual, the photography is one of the strongest elements of his films alongside the clever use of a fantastic and very catchy score and of course, heartwarming and very _human_ characters. Hope is still out there.
I could tell it was an art film by the way, in set design and acting it resembled an English as a Second Language training film. That said, for an art film, it wasn't too bad.