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Une amitié dangereuse
Lily et Amanda, des amies d’enfance, se retrouvent dans la banlieue du Connecticut des années après s’être perdues de vue. Lily est devenue une adolescente polie de la haute société. Elle est élève dans un chic internat et a même ajouté un stage très convoité à son CV. Amanda, de son côté, a développé un esprit acéré et une personnalité prononcée, mais tout cela dans le but de devenir une paria. Même si tout semble les séparer, les deux amies vont créer un lien fort notamment grâce au mépris de Lily pour son beau-père, Mark. Alors que leur amitié grandit, leurs défauts vont être peu à peu exacerbés. Leur plan va les amener à engager un arnaqueur du coin, Tim, et à prendre elles-mêmes les choses en main pour reprendre le cours normal de leur vie.
Avis de la communauté (12)
Somehow, this movie had me actually hooked the entire time. I'm not even sure how, as I intended to get some work done while having it play in the background. All I can say is I loved the main characters and felt the relationship between Amanda and Lily was very well played out and developed. Also some incredible character development for Lily, [spoiler]which shows that she's even worse than Amanda was, or at least the capacity for much worse. One a sociopath, one a psychopath.[/spoiler] Highly recommend, if you are able to follow unusual movie's and odd plotlines.
This movie is weird and slow. The music is good and story is interesting, it went places I didn't think of. Anton Yelchin (RIP) was great in his last performance but there wasn't enough of him.
A quirky, angsty but deep comedic thriller that had me hooked from the very first scene. Like Juno with a murder plot. If either of those speak to you, give Thoroughbreds a shot. It's definitely worth your time.
Because the film is led by characters that are detached from their emotions, I felt largely detached from the movie as a whole. It's not terrible, but it is a cold experience, and not the modern classic that many have considered it to be.
'Thoroughbreds' dissects teen happiness, or the lack of it in a wealthy suburb of Connecticut. There's a lot to like about the Hitchcockian plot and camerawork with Director Corey Finley straying away from your normal teen drama and instead opting for a clever, intriguing style full of wry humour and aloofness. One scene in particular is brilliantly directed with a long slow zoom that cranks up the tension. Anya Taylor Joy and Olivia Cooke are both brilliant as the young privileged teens who try to hatch a murder plot. And the script is really engaging. It's been described as 'Heathers' meets 'American Psycho', which is pretty much on the mark. There are a few moments that don't quite stack up and a little too much 'trope' comes into play at certain points but this is Corey Finlay's debut film, and there's enough here to suggest he's got some fine Directing chops.