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Nouvelle-Angleterre, XIXème siècle. Dans son pensionnat de jeunes filles de bonne famille, la jeune Emily Dickinson ne cesse de se rebeller contre les discours évangéliques qui y sont professés. Son père se voit contraint de la ramener au domicile familial, pour le plus grand bonheur de sa sœur Vinnie et de son frère Austin. Passionnée de poésie, Emily écrit nuit et jour dans l’espoir d’être publiée. Les années passent, Emily poursuit sa recherche de la quintessence poétique. La rencontre avec une jeune mondaine indépendante et réfractaire aux conventions sociales ravive sa rébellion. Dès lors, elle n’hésite plus à s’opposer à quiconque voudrait lui dicter sa conduite.
Avis de la communauté (6)
What a dreary film; what a tedious Emily. You could drop in Kim Cattrall (Samantha, SATC) as Vryling Buffum—who Catherine Bailey seemingly impersonates in cadence and biting one-liners—and it would not prick up this dull project's stymied rhythm. Terence Davies mistakes a frigid passion for "a quiet passion." In the opposite corner, Molly Shannon's _Wild Nights with Emily_ (Dir. Madeleine Olnek, 2018) is an equally strange film for a strange subject. However where _A Quiet Passion_ fails, _Wild Nights_ succeeds in wit, in spirit, and yup—in passion.
Some might find it depressing, but I thought it was powerful, incredibly witty and altogether glorious. Cynthia Nixon was astonishing. I knew very little about Emily Dickinson going in, but now I'm clamouring to find out more. AND there was a surprising amount of thwoorp action. #yaas
A Quiet Passion is a Wikipedia biopic on Emily Dickinson where the script consists of comedy routines in which the punch lines are replaced by trite adages.
The good: the film had an interesting story to tell and the acting was excellent. The bad: the sum of the aforementioned did not result in a great watching experience.
Understated drama is wryly funny, though occasionally a slog to sit through.