Chargement...
Chargement...



L'histoire se déroule avec Conan Edogawa, Ai Haibara et leurs trois camarades de classe, les Détectives Boys, accompagnés du professeur Agasa, vont faire du camping près du Mont Fuji et sont invités suite à la rencontre de Tokiwa Mio à l'inauguration des deux tours jumelles de Nishitamashi dont elle est la propriétaire. Kogoro Mouri, Ran et Sonoko sont également invités. Cependant, d'étranges évènements semblent déranger Conan : À qui Haibara téléphone-t-elle à des heures indiscrètes ? Quelle est la cause d'une série de meurtres touchant les participants à la construction de ces deux tours ? Et que font les hommes en noirs qui guettent à proximité ?
Avis de la communauté (1)
We encounter the first time the Black Organization truly appears. And well, that changes everything. It's not a random killer, it's Gin and Vodka, the same ones who shrunk Shinichi. Suddenly the stakes are real. [SPOILER] And when they confused Sonoko with Haibara because of her new haircut... my heart stopped. Because I knew what they were capable of. [/SPOILER] The twin towers setting (yes, it premiered in 2001 just before 9/11, which adds an extra layer of unease when watching it now) worked perfectly for the tension. [SPOILER] Being trapped in a skyscraper with bombs, against the clock, while the Organization lurked outside... it was the most intense thing the saga had done up to that point. [/SPOILER] And then there was Ai Haibara. This movie was where she really shone as a character. [SPOILER] Her connection to the Organization, the weight she carried, the guilt she felt when Sonoko was targeted for looking like her... it added an emotional dimension that the previous movies didn't have. The scene of the car falling between the towers while they exploded was one of the most iconic in the entire saga. And the moment of Ai accepting to stay behind so the others could escape... even though I knew she would survive, it broke me anyway. [/SPOILER] It was the movie that proved Conan could make large-scale action films without losing the mystery.