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Rome, novembre 1975. Le dernier jour de la vie de Pier Paolo Pasolini. Sur le point d’achever son chef-d’oeuvre, il poursuit sa critique impitoyable de la classe dirigeante au péril de sa vie. Ses déclarations sont scandaleuses, ses films persécutés par les censeurs. Pasolini va passer ses dernières heures avec sa mère adorée, puis avec ses amis proches avant de partir, au volant de son Alfa Romeo, à la quête d’une aventure dans la cité éternelle...
Avis de la communauté (2)
Pier Paolo Pasolini's last moments are portrayed in this unconventional biopic. The structure of the film is different and makes use of Pasolini's own work, creating scenes that are interspersed between an interview and personal actions in his moments, as well as writings and reflections, presenting a kind of ordered chaos that is more intimate and explicit. This is a film whose poetic metaphor is integrated into reality in a distinct, fluid, uncomfortable and captivating way.
Pier Paolo Pasolini's last moments are portrayed in this unconventional biopic. The structure of the film is different and makes use of Pasolini's own work, creating scenes that are interspersed between an interview and personal actions in his moments, as well as writings and reflections, presenting a kind of ordered chaos that is more intimate and explicit. This is a film whose poetic metaphor is integrated into reality in a distinct, fluid, uncomfortable and captivating way.