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Si vous le voyez, il est déjà trop tard...
Depuis la mort brutale de son mari, Amelia lutte pour ramener à la raison son fils de 6 ans, Samuel, devenu complètement incontrôlable et qu'elle n'arrive pas à aimer. Quand un livre de contes intitulé « Mister Babadook » se retrouve mystérieusement dans leur maison, Samuel est convaincu que le « Babadook » est la créature qui hante ses cauchemars. Ses visions prennent alors une tournure démesurée, il devient de plus en plus imprévisible et violent. Amelia commence peu à peu à sentir une présence malveillante autour d’elle et réalise que les avertissements de Samuel ne sont peut-être pas que des hallucinations…
Avis de la communauté (10)
The marketing and trailer of the film suggested a horror movie with a creepy monster. That may well be the case, but this is not a conventional horror film at all - there is far, far more to this outstanding film than that. To say more would give away the plot, but clear hints as to the identity of the “Babadook” and how it fits into the narrative ensure the reveal and resolution are unsurprising. That, though, misses the point - here the journey the audience is taken on is so compelling that the reveal and resolution to the story don’t need to surprise. Essie Davies plays a single mother still coming to terms with the death of her husband and the young Noah Wiseman is her son who is exhibiting behavioural issues. They both give outstanding natural performances and the film is rooted in such verisimilitude that the introduction of the horror element almost feels intrusive. Not that this is unsuccessful either - the “monster’ initially lurks in the shadows, creating a palpable sense of foreboding and dread and the sound design of the film helps to emphasise this, creating some wonderfully creepy moments. Fortunately, rather than worrying about horror conventions and gimmicks to scare, the filmmakers explore far more gripping issues and concerns - that of a mother’s struggle to raise a child on her own and cope with unresolved grief, loss, isolation and helplessness. If there was a minor criticism, it is that the final act occasionally focuses more on the conventions of horror and suspense that had been so carefully balanced throughout. But this is a nitpick at best and doesn’t detract from one of the finest films of the year and a strong message that true horror is as firmly rooted in reality as it is in the supernatural and fantasy.
Believe me when I say: it's OVERRATED²... too long and boring, the ending was kind dumb and nonsense as well... *I liked the acting of the mom in the "second part" of the movie (near the ending itself)
And the award for most annoying kid goes to???? Samuel from The Babadook! The only scary part of this movie was the amount of boredness that it brought me. Trust me.. It was overwhelming boring and it was so incredibly bad. Honestly i think it might doesn't even deserve a 4!