[Zinegoak] Although the director sometimes fails to balance the feminist portrait and a kind of musical pretense, the film has some interesting contributions, such as when one of the mothers waters some plants with menstrual blood. The documentary thus acquires an almost esoteric dimension, in the female tradition of witchcraft, and it is in this portrait that it almost borders on unreality where it finds a different path. There is time to talk about feminism, anti-capitalism or queer sentiment in a Brazilian society that has become more conservative.