[Filmin] The film's desire to break up is interesting, with a provocative approach that turns an abusive relationship into an element of comedy. The husband's love is manipulative and oppressive here, but at no time justified. He is an asshole, but she is passive. It is one of the most disturbing portraits of a relationship. And, as the story progresses, the comedy gets blacker, darker, until the last part in which he remains in the shadow, while she enlightens herself.

The conception was disappointing, the delivery was a big mess and all we got on the end was a miscarriage of humor. Cohen and Foïs had fun but they were the only ones.