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Clarke (Dustin Hoffman) y Rogers (Warren Beatty) son dos compositores mediocres y sin suerte que necesitan desesperadamente dinero. Siguiendo el consejo de su agente, emprenden una gira por la mítica república de Ishtar. Cuando llegan, resulta que son reclutados, por separado, como espías al servicio de los dos bandos opuestos de la revolución que está a punto de estallar en el país. Pero Clarke y Rogers son incluso peores espías que músicos, así que acabarán perdidos en medio del desierto en compañía de un camello ciego y varios asesinos de la CIA, lo que no impide que rivalicen por el amor de una hermosa revolucionaria (Isabel Adjani).
Avis de la communauté (3)
And now I'm going to have that awful song in my head for a week.
When the Farrellys watched this they realised the only problem was it wasn't quite dumb enough, and paydirt was just around the corner.
"Ishtar" is a genius film that was misunderstood and deliberately maligned in its time, for a variety of reasons, most of which are spelled "Elaine May." Hollywood truly was not ready for a risky, strong-minded woman at the head of a film like this. The initial lashing against it was so thorough that I didn't see it for decades, until sometime around 2010, at which point it immediately became one of my favorite comedies. Those were different times, and there's an unfortunate making-fun-of-desert-languages bit, but overall the humor is satisfying. The constant gag of Dustin Hoffman as the dreamboat, cast against Warren Beatty as the guy who can't get a date, is a perfect frame for the joy of their hilariously-bad songwriting duo - songs actually written by May and Paul Williams. It's ludicrous, weird, funny. The edit is jittery, without the easy build we might want from a smart comedy, but final cut was taken away from May halfway through filming, so what survives is probably a committee cut mostly run by Warren Beatty. It's still good. Happily, the times are warming to Ishtar, so it plays art-house cinemas pretty often these days. Warning: I found it getting stale after the fourth or fifth viewing in ten years or so; I'll have to pace myself better in future.