The reflection on motherhood and its darker aspects becomes an intense and melancholic film starring a mother full of doubts, perhaps facing postpartum depression, who becomes obsessed with another mother guilty of infanticide. The film adopts Maria's point of view to express uncertainty about her own ability to be a mother (pointed to by an overly present music), confronting Susan Suleiman's idea that "mothers don't write, they are written." Actress Laura Weissmahr pushes her character to the limits of depression, in a look at motherhood that has terrible moments.