"You sure you won't have a sandwich?" ~WHACK!!~ lololol

>*"Oh Norman... You're mad, don't you know that? You're as mad as a hatter."* Manages to be original enough with the script and the twists while continuing the storyline of the iconic first. Norman's now going crazier than he already is when paranoia sets in and he slowly descends into madness. It's more psychological and has more kills. The mystery is pretty solid it keeps you guessing the whole runtime—I did predict it though. Meg Tilly as Mary is a great addition and she creates some interesting interactions with Norman. We also get to see more of Norman as a psychopath, something the first only did for a couple seconds. Takes place mainly in the house which makes a change. On a filmmaking level, it's absolutely nothing like the first. Great ending.

Obviously not on par with the original, but it's a damn fine sequel, especially one that was churned out of the 80s. Explores some interesting themes, and has fun with concept. Perkins is great and makes you sympathise with Bates. Plus Meg Tilly is quite nice on the eyes.

A compelling psychological thriller, Psycho II picks up where the Hitchcock classic left off. The story follows the release of Norman Bates from a mental institution as he attempts to reintegrate back into society, but forces conspire against him as he once again hears Mother’s call. The writing is rather impressive and finds a nice balance of honoring the Hitchcock classic while also exploring new territory. Anthony Perkins and Vera Miles return, and are joined by Meg Tilly and Robert Loggia. Additionally, director Richard Franklin does a pretty good job, though he’s clearly not up to Hitchcock’s level. Full of intrigue and suspense, Psycho II is a strong follow-up to a masterpiece.