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Nothing is more desirable or more deadly than a woman with a secret.
A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.
Avis de la communauté (6)
I have to agree... WTF with the ending?????? It should have stopped 5 minutes prior.
It is too Hitchcockian really.
I don't know if it's Rebecca Romijn that just leaves the flat taste, but I couldn't connect to this attempt at a steamy thriller. It's odd, because it has a lot of the elements to make a great film noir, but most of it just feels like DePalma on autopilot.
>"Isn't sugar better than vinegar?" This was way different than I was expecting, and that ending is something else. I would say Femme Fatale is more of an art piece for a certain group and I might not be in it.