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Qinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed with Hanuma, an attractive young woman who sells drinks. While she jokes with him about a possible relationship, she is actually in love with Abu Siri, a strong and respected porter at the station who is struggling to unionize his fellow workers to combat their boss' exploitative and abusive treatment.
Avis de la communauté (2)
Hmm. I can tell this is an important film in film history. It's a bit difficult to follow in that the acting is sometimes the caliber of that in silent films. But the characters are sympathetic, caring, self-serving, or hateful, which makes for an interesting story arc in this compact film.
I wish I could see this on a restored print, because there were clearly some interesting things happening with the camera despite the unfussy, neorealist bent to the whole picture. It also felt like a really interesting time capsule of a time and a place in transition, and I appreciated the movie's commentary on labor relations and gender-based violence. Great ending.