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On the Mexican Pacific coast, the land Ina Marija adopted before dying too young, her father and younger sister Una embark on a journey in her footsteps. There, amidst the lush nature of the mangroves—in a lagoon ravaged by hurricanes and constantly reborn—they begin the process of mourning. As he films this journey, Sharunas Bartas lays bare his emotions and, in an act of transmission, seeks a reconstruction nourished by the natural cycles of life and nature.
Avis de la communauté (1)
[Venice '25] It's always surprising when a film director decides to express their most personal emotions, such as grief and loss, through a film. But it's the convergence that this painful and deeply personal experience finds, its true meaning. There is so much life in a film that addresses loss and death, expressed in a place that shows nature returning to the cycle of existence. The expression of grief and loss is reflected in the life that flows around us, giving us a sense of hope that it is possible to move forward even when the pain hits with the force of a hurricane.