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In 19th-century Montenegro, the free mountain territories are surrounded by Turkish forces, isolated from the West and steeped in conservatism, patriarchy, and superstition. Morlak, a poet and bishop inspired by the historical figure Petar II Petrović Njegoš, leads his tribe in resisting the invaders. Gravely ill, he is sent to southern Italy in search of a cure. The journey takes him to a house in Naples, a city that contrasts sharply with his homeland’s isolated hills. As Morlak contemplates his existence, his loyal servant Djuko struggles with profound nostalgia, driven by the fear of his master’s death in a foreign land.
Avis de la communauté (1)
[IFFR '25] It establishes an interesting dynamic that addresses the loyalty and obsession of the servant Đuko for his Master, taking elements inspired by historical figures from Montenegro. Its foray into themes of identity connects with the current reality, that of forced displacement and the sense of belonging based on a collective identity that is vulnerable. The story raises issues that are relevant from a contemporary point of view, but is harmed by its own austerity. Although it manages to create an atmosphere of stillness that, once the viewer is caught by its particular cadence, is quite captivating.