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In the turmoil of the Thirty-Years' War, a mysterious soldier appears in a secluded Protestant village claiming to be heir to a long-abandoned manor. His quest for recognition and acceptance are complicated by his secret: under a false identity, false name, and pretense of a false gender, he has made his way to the village. But to achieve her goals, Rose, as the soldier is actually called, will stop at nothing.
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Brilliant in its nightmarishness, infuriating in its refusal to commit to a narrative to invest in. The performances are hard to rate, given how dreamlike the story starts and finishes, leaving huge unanswered questions - was some or all of it in hell? Is an ending needed? Who are we anyway? The Lynchian comparison is partly valid - I’m ok with having watched a ghost story with pretentions of grandeur but despite the amazing time shift production values I’d have liked something to actually like.