Willkommen zu Hause
Eigentlich hatte Camille Preaker ihre Vergangenheit sowie ihre Heimatstadt hinter sich gelassen. Als Journalistin lebt sie mittlerweile in Chicago und arbeitet dort für eine namhafte Zeitung. So ereignet es sich eines Tages allerdings, dass sie in ihre Heimat zurückkehren muss, um über eine Reihe brutaler Morde zu berichten. Dabei wird Camille allerdings nicht bloß mit grausamen Verbrechen konfrontiert, sondern muss sich ebenfalls der Schattenseite ihres eigenen Lebens stellen. Bis heute wird sie von unaussprechlichen Dingen verfolgt – und die Präsenz ihre Familie macht nichts davon leichter.
Avis de la communauté (11)
**you don't usually get to see three female characters so three dimensional and well acted in tv or movies.** you can feel the pain in camille, the sorrow in adora and the angst in amma. you can understand what they do, even when you don't agree, you just say to yourself "okay she's doing what she's gotta do" i really like character driven content (the leftovers is my favorite tv show ever), so i think this show is a must! also, the plot makes you want for more. it has a great soundtrack and directing (same from big little lies, which is as magnificent as sharp objects). amy adams is superb and i hope she get some awards. the rest of the cast is great as well, but amy adams is amy adams right :)) update: i was really surprised by the end. loved every second of the show!!
Three episodes in and what do we know about this show? She eats next to nothing, drinks vodka like there's no tomorrow yet manages to stay more sober than a teetotaler. Oh and something to do with murder of a girl or two.
Thematically interesting and brilliantly acted, but painfully slow and far too long Feminine in design rather than inherently feminist, the show is a portrait of tainted motherhood and corrupted sisterhood, and is best categorised as a piece of Southern Gothic horror/melodrama, half Erskine Caldwell and half Tennessee Williams, garnished with a dash of Harry Crews. More concerned with internecine inter-generational conflict, matrilineal dysfunction, and how the rotten core of small-town America can breed not just old-fashioned sexism and bigotry, but festering cyclical violence, the main focus is not on major plot points or momentous reveals, but on how the past bleeds into the present and how difficult it can be to escape from past trauma. But whilst the acting is exceptional, and the show is well directed and edited, much like the first season of Big Little Lies (also a HBO series with a female-centric point-of-view based on a novel that isn't really about the murder at its centre), it left me utterly unengaged, completely uninterested in any of the characters, and fighting interminable boredom for much of its eight hours. For my complete review, please visit: https://boxd.it/MsF8N