Between comedy and drama, the script supports on the actress Yolanda Ramos, whose performance is burdened by a directing that doesn't provide her with a clear path in the construction of the character, so that Candela hesitates in her development, sometimes being too histrionic, bordering on caricature, a mask work that establishes too much distance, which could be appropriate in a more vitriolic satire, but which doesn't fit into this more humanist proposal. The show doesn't find a balanced tone in a sense of humor that is sometimes coarse and other times wants to be clever.