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Ein Horrorthriller der Luxusklasse!
Die junge Carrie ist vom Leben stark gebeutelt: die Mutter ist eine religiöse Fanatikerin und in der Schule gilt das schüchterne Mädchen bei allen nur als Freak. Als während der Dusche nach dem Sportunterricht zum ersten Mal – relativ spät für ihr Alter – ihre Periode einsetzt und sie durch Unwissenheit in Panik gerät, spielen ihr die Klassenkameradinnen einen bösen Streich, für den sie hart bestraft werden. Dabei machen sich bei Carrie erstmals telekinetische Kräfte bemerkbar. Als der Schulball naht, planen die Mitschüler einen weiteren grausamen Streich aus Rache, doch sie ahnen nicht, welches Inferno sie damit entfachen werden…
Avis de la communauté (10)
Carrie is an incredibly dated horror film, but it also remains an incredibly relevant story despite this. The shocks and attempts at surprise are largely jump scares that don't work as well anymore, yet the film has become a somewhat different kind of horror film as a result. Right from the beginning, the title character cuts an incredibly sympathetic figure and the cruelties and humiliations endured by her at school makes it easy to identify with her. But the underlying themes of bullying and cruelty and the repressed rage and anger that Carrie's abilities represent, together with the religious extremism that she suffers at home is equally a stark reminder of how society can create its own monsters that can explode into violence at any given moment and the filmmakers wisely don't hold back and attempt to lessen the impact of this nor do they attempt to justify Carrie's revenge - everyone and anyone is affected by Carrie's reaction, regardless of how they had behaved towards her. It doesn't take much to see the links with modern day real-life violence carried out by disturbed individuals and the film asks its audience to consider difficult questions as a result.
Absolutely stupid and boring by today's standard...
I can see why young people that were raised on modern horror movies would think this is boring and overrated (there are no scares every 10 minutes to keep the audience engaged) but it's the filmmaking that raise it above the rest.
One of the meanest gags imaginable backfires on a high school class who will never again get the chance to pick on "Carrie". There are going to be some younger viewers of this film that won't be able to get past how dated this looks or the surprising way that the teachers, specifically Miss Collins (Betty Buckley), slaps some of her students around. There are also some who will recoil at the extreme bullying portrayed or maybe even the copious amounts of full-frontal nudity on display throughout. But "Carrie" is filled with wonderful directorial choices and great moments. The way that Carrie (Sissy Spacek) stands up to her lunatic mother, played way, way over-the-top by Piper Laurie. The touching moments of Carrie becoming a beauty and the way that Senior Class stud Tommy (William Katt) ends up falling for her. John Travolta, Nancy Allen and P.J. Soles are mischievous but clearly misguided teens that you also get all kinds of chances to loathe. The use of split screen is amazing and when Carrie, covered in pig's blood, glares insanely from the stage with flames leaping behind her...it's nightmarish stuff. Also checkout the amazing extended shot of Tommy and Carrie dancing at the prom. The camera is closely zoomed in on them and then spins in a 360, around and around, over and over, faster and faster. It's very disorienting and in addition, a not too subtle hint that things are about to spin horribly out of control. There is a strange sense of humor that runs through this movie. John Travolta plays the role of Billy as a complete idiot. His girl Chris, the clearest teen antagonist, is slapped numerous times by him, but she has him wrapped around her little finger. When Billy jumps into a pen to bludgeon a pig, it's so ridiculous it's funny. And the religious ravings of Carrie's mother are so wide-eyed crazy and boisterous, they come off as a parody of preachers most of the time. There's also a moment when a red Pontiac Firebird skids and veers off the road, only to roll over and erupt into flames as a Chevy Chevelle. It makes me laugh at the thriftiness employed on that shot. I usually over-analyze endings and the finale of "Carrie" packs a wallop. And while the face-off between Carrie and her Mother is satisfying, the tortured screams of lone survivor Sue (Amy Irving) wraps up a nightmare that's even more cruel than the way Carrie was treated. And what's even more terrible is that Sue's curse was her reward for attempting to help Carrie. "Carrie" is an emotionally affecting film that really engages you in the plight of Carrie and then repulses you with her extreme form of vengeance.
Teenagers can be just as nasty and scary as any ghosts or demons.