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Rebellin. Außenseiterin. Genie.
Emily Brontë ist eine Pfarrerstochter, die im ländlichen Yorkshire aufwächst. Auf dem Land führt sie zusammen mit ihrer Familie ein ruhiges Leben, dennoch fällt die junge Frau immer wieder als störrische Rebellin und Außenseiterin auf. Ihr liebstes Hobby: sich gemeinsam mit ihren Geschwistern Geschichten auszudenken. Aber bald wird Emily dafür keine Zeit mehr haben, denn die Brontë-Schwestern müssen zum Familienunterhalt beitragen. Genau wie ihre ältere Schwester Charlotte soll Emily Gouvernante werden, doch der Druck, der nun auf ihr lastet, setzt ihr zu...
Avis de la communauté (9)
Very evocative period biog. Seeks to explain, quite inventively, the germination of Wuthering Heights. Somewhat rough on the emotions, as we are clearly embedded in a time of short lifetimes, snatched away so soon. The central performance is very strong and clearly a product of great research. Interesting how boredom/childhood paracosms have resulted in some of the greatest pieces of literature being written. Yet in the film it is as a result of the muse of the natural world impinging through an open window. The cinematography was quite breathtaking. I also found the countering of religious scruple with freethought and a modern conception of naturalness very cool. When off the Victorian leash, this Emily is clearly a c21st woman of high calibre, even if careless of others feelings. [spoiler] Favourite moment: Catty conversation in French with her sister, Charlotte, putting her in her place for being cocky. Overdone, but sparks were flying. [/spoiler]
Mackey gives a wonderful performance but this 'biopic' fails to reach new heights, wuthering or otherwise.
Instead of making an adaptation of her work, the director prefers to turn Emily Brontë into a character in her novel. Which is a respectable creative decision, but one that doesn't work because it lacks the passion and heartbreaking emotion it needs. In the end, the film seems to underline the mistaken belief, which has always surrounded the young writer, that only if she had experienced a love relationship she could write about love passion. But precisely "Emily" shows that experience cannot always produce the ability to transmit emotions.
Nobody notice she looks like Margot Robbie?
Over 2 hours runtime and the only scene that stuck with me and made an impression was the "mask" scene. Oh god, it was so deliciously creepy and horrific and sad and oh so brilliantly done. The writer/director should definitely do a horror movie.