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Nur der Tod kann sie retten.
In der Hoffnung, ihrer Vergangenheit zu entfliehen, ziehen Daniel (Will Klipstine) und Theresa Snyder (Amanda MacDonald) mit ihrer problembelasteten Tochter Rosalie (Madeleine McGraw) in eine malerische Stadt im Mittleren Westen, doch das Böse, das sie hinter sich lassen wollten, verfolgt sie. Als die Einheimischen zu sterben beginnen, wenden sich die Snyders an einen indianischen Seher und entdecken eine Legende, die den Schlüssel zur Rettung ihrer Familie oder den Weg zu einem grausamen Ende für sie und alles, was ihnen lieb ist, darstellen könnte.
Avis de la communauté (3)
We found the worst movie of 2022
This could have been an interesting movie but the actors were just so bad that they ruined it.
In the realms of cinematic fate, There lies a film, a woeful state, "The Harbringer," its name proclaimed, A tale of darkness, poorly framed. A man, burdened with a wicked charm, A talisman of death, bringing harm, Made a pact with the devil's might, To orchestrate a morbid plight. But alas! The execution fails, As the actors stumble, their skill impales, Their performances, like wilted flowers, Conveying naught but lifeless hours. The plot, a tapestry of gaping holes, Confusion reigns, as logic folds, A labyrinth of inconsistencies, Leaving viewers lost in dissonance. And as we gaze upon the screen, Cinematography, once pristine, Now dulled, devoid of visual grace, Leaving emptiness in every space. "The Harbringer," an unfortunate plight, A contender for the worst in sight, Its flaws apparent, impossible to hide, A tragic tale of artistic suicide. So let us mourn this failed endeavor, A haunting relic that shall not sever, The memories of its dismal mark, The worst of poems, born in the dark. Regenerate response