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Der Mord war nur der Anfang.
Hercule Poirot schließt sich einer bunt gemischten Reisegruppe an, die auf einem Dampfer den Nil bereist. Auf der Fahrt kommt es zum Mord an der schönen und reichen Linnet Doyle, doch die Hauptverdächtige – Jacqueline de Bellefort, der Linnet ihren Verlobten Simon Doyle weggeschnappt hat – hat zum Tatzeitpunkt ein Alibi. Poirot nimmt die Ermittlungen auf und muss unter den zahlreichen anderen Verdächtigen, darunter Linnets Dienstmädchen Louise Bourget, ihr Treuhänder Andrew Katchadourian und die berühmte Marie Van Schuyler, den Tätern finden …
Avis de la communauté (12)
Two hours of Emma “I have four acting credits to my name” Mackey being a better actress than some Hollywood fossils.
Just crap!! Time for Kenneth Branagh to stop murdering Agatha Christie’s work.
A fun "whodunit" that offers little to write home about. Though Death on the Nile is quite lively and enjoyable, I'm afraid the story and most of its performances are quite forgettable. Honestly, I have little bad to say about the film, but I also have little to rave about, and I believe many people will feel this same way.
This was so bad. Just watch the original 1978 with Peter Ustinov. First, Kenneth Branagh is so bad as Poirot. He can't speak just 2 words of French. Don't they have dialect coaches? The Game of Thrones girl was also so bad and fake with her accent. Just embarrassing in 2022 and it takes you right out of the movie. 44 years ago, they actually chose actors who could speak the parts they were supposed to play. The movie is also bad on other levels. You get no character development outside the main 3. In the original you knew all the other characters. There is no fun, no humor, no tension. Not that the original is a comedy but it has a magical combination of humor and seriousness.
There is almost as much artificiality in the characters (particularly the non-chemistry between Gal Gadot and Armie Hammer) as there is in the background of a faked Egypt with chroma screen and flawed CGI. Essentially, that is the main problem of a film that exudes neither the romantic passion that its characters should have, nor the wanderlust that the winding desert and the pyramids of Egypt should have.