I will tell the truth: if I had not known that the story of the two main characters is taken (partly) by the story of Pawlikowski's parents (in fact the movie is dedicated to them), I would have been slightly disappointed. But knowing that, everything appears to me in a different light. It is clear from the outset that the director does a little construction of the characters: it is as if he knew them too well and had no interest in forcing descriptions and dialogues and in highlighting their personalities. This leads the viewer to witness a story of unconvincing love: platonic, but often fleeting; strong, but fragile. But there's simply no time to become attached to the two. And one can also see this in the film's duration of only 80 minutes. Passion is not an easy feeling to cultivate, and distance is a double-edged sword. The strength of this movie is the tenderness of this love story: mystical, silky, ordered even if impossible. To lose oneself, to find oneself again, to lose oneself again and find oneself again: it's the circle of love. The black and white technique contributes to weave the plot. One thing however needs to be noticed more than the B&W: the editing is just stunning. There are some black frames just perfectly included between two sequences, also with the sounds, giving the impression that the earliest sequence is not over yet, but it is. The moments of silence of this movie are among the best you can find in contemporary cinema. Stalinist Poland is a background that adds mystery and difficulty, but comes out in the end in all its cruelty when the male protagonist (a pianist) is sentenced to fifteen years of forced labor that forever destroy his hands, forcing him to not play ever again (music is a strong part of the movie: Wiktor is a pianist and a composer, Zula is a wonderful singer and dancer, and they met the first time during an artistic audition). In the end, their love is crowned, but in the only possible way: fleeing from the world and rising. The last seconds show a field crossed by the wind, a force of nature, nature that constantly fights against entropy, like the two characters. 7/10

Pawel Pawlikowski returns to the black and white 4:3 aspect ratio that worked so well with 'Ida'. This is a stunning film. Joanna Kulig gives a brilliant performance as one half of a couple faced with decisions and adversity in post war communist Poland. Based loosely on the Director's own parents, it's a devastatingly captivating love story involving music, tragedy and politics. Spanning 15 years, the film uses music to evolve the story and the phenomenal set design / ambience of the film really captures the state of flux that Europe was in at the time. Lukasz Zal's cinematography will live long in the memory. I need a few days to digest this one but I can't see it being beaten on my best movies of 2018 list.

This is a good love story and knowing it is based off the director's parents makes it better. It has some great performances, good music and looks beautiful. The editing and use of black screens was fantastic.

not gonna lie, I absolutely ugly cried a couple of times just watching Zula singing or dancing and I will never be ashamed of it she's absolutely mesmerizing and although the whole movie is a masterpiece, Kulig is the one you will always be searching for on the screen. amazing.

The original title of the film is Zimna Wojna.