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Brittany Aaarons ist ein großer Fan von Jordan Cahill, einem jungen Mann, dem eine große Karriere bevorsteht. Als dieser nach einem erfolgreichen Auftritt, bei dem auch Brittany anwesend war, vor gröhlenden Teenagerinnen flüchtet, stößt er mit Brittany zusammen, was dazu führt, daß die beiden ihre Mobiltelefone vertauschen. Brittany und ihre Freundin Natascha sind begeistert von diesem Fund und nehmen das Gerät genauer unter die Lupe. Sie entdecken einige Liedtexte, die Jordan selbst geschrieben hat und die sich vom üblichen Pop-Einerlei abheben, weil sie offen und ehrlich sind. Brittany will Jordan überreden, diese Lieder zu veröffentlichen. Wird sie es schaffen?
Avis de la communauté (3)
Stuck in the Suburbs" is like a nostalgic time capsule of teen dreams and adventure. It's got the perfect blend of goofy shenanigans, girl power, and a catchy pop song that'll stick in your head for days. If you're in the mood for some lighthearted fun and a dash of early 2000s fashion, this Disney Channel classic is a must-watch!
I'm starting to think that the older a DCOM is, the better it will be. Less suspension of disbelief required, less heavy-handed with The Moral of the Story… Sure, even the old ones aren't _great_ films, but there's a charm to the earlier stuff that's missing from more recent productions.
My friends and family know that I've been a fan of Disney Channel for quite a while. However, I wasn't always keen on their Original Movies, also known as DCOMs. Just after discovering _Lizzie McGuire_, I was all excited for the telefilm _You Wish!_, which starred Lalaine...only to be super disappointed. After a few other bad experiences, I stuck with the sitcoms...until recent viewings of DCOMs on DVD were actually fun and entertaining, if only for one viewing. Some of my friends may also know that I've been a fan of Danielle Panabaker, this telefilm's lead actress, for years; I even named my first iPod touch after her. So, you probably would expect me to enjoy this...and I pretty much did. While it can be silly at times, it provides cutesy escapism, which is the kind of movie I enjoy the most. Gritty realism is not my thing--I watch movies and television shows and read books to get away from that--so, if it's yours, you won't enjoy this...but, for fans of innocent entertainment like me, this is a great one. There's no profanity, the violence is only comedic, and about as sexual as it gets is the main character wearing a midriff-baring outfit, which she soon changes out of. The one issue I take is with the closing credits: While I love Anneliese van der Pol and her song "Over It," it doesn't fit with the rest of the movie; it's like ending _Cinderella_ with "Enter Sandman". **Score: 4.5/5**