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تحفة الشبقية للويس بونويل!
لا تستطيع ربة المنزل الشابة الجميلة Séverine Serizy التوفيق بين تخيلاتها المازوخية وحياتها اليومية جنبًا إلى جنب مع زوجها المطيع بيير. عندما ذكر صديقها المحبوب هنري بيت دعارة سري من الدرجة العالية تديره مدام أنيس ، بدأت سيفيرين العمل هناك خلال النهار تحت اسم Belle de Jour. ولكن عندما يصبح أحد عملائها متملكًا ، يجب أن تحاول العودة إلى حياتها الطبيعية.
Avis de la communauté (4)
"I don't expect you to believe me, but I've never felt so close to you."
I hate art films. Why? Because they suffer under the delusion that there are only two options: style or substance; pick one, both cannot exist. _Belle de Jour_ shows that a movie can be both. The movie is dripping with style. Every piece of this film is captivating: the camera work, the wardrobe, the acting, the lighting, the color pallet. All of that while having an interesting story that is, honestly, like no other movie I have seen. The best I could say is that it's like an Audrey Hepburn movie, only French. What does that mean? I'm not entirely sure. Look, I'm not going to lie, I didn't understand the ending. I mean, I think I did, but I'm not sure at all. With that being said, I still enjoyed this very much. What makes _Belle de Jour_ so interesting is what also makes it confusing: our main character, Severine, is an enigma who launches into fantasies, dreams, and maybe flashbacks, but it's not always clear what is what. If you need movies to be very simple, you may do well to stay away. However, if you don't mind films with a few vague moments, there is much to be appreciated here. I didn't know anything about the story before watching it, and I feel like that was the proper way to see it. Just understand that it is not "erotic," nor is it romantic - not in any traditional sense. It's a movie about sexuality, only without being overtly sexual. There are only hints of nudity, so don't expect Russ Meyer or Tinto Brass. I don't think I'd call this a must watch, though if you're a fan of classic films - in particular, French films - you owe it to yourself to give it one view.
I am not sure how transgressive this peck on the lips compilation could have been in the late ‘60s, but I liked the idea behind the main character. The high-class brothel slice of life scenes are still interesting, even though I was expecting deeper psychological insights. Not a big fan of Marcel’s storyline and the conveniently ambiguous ending.
Bunuel's really been coming on for me in the last two I've seen. While this is a relatively straightforward exploration of Belle's nascent exploration of sexuality in terms of theme and narrative structure, it still felt quite thrilling and subversive. The dream sequences in particular were lurid and shocking--wow, that opening.