Uncomfortable, unflinching and completely ahead of its time. Shot entirely through cameras that exist within the film itself - handycams, CCTV, hidden footage - it uses the format not as a gimmick but as the actual point. The camera here is both weapon and witness. All three stories hit differently but the second segment is where it really gets under your skin. The way it normalizes voyeurism while simultaneously making you feel complicit in watching - that's genuinely brilliant filmmaking. Disturbing in the best possible way. Indian cinema need more of this.