[Berlinale '25] With a whodunit-style structure based on the disappearance of film tapes, this story offers a reflection on the responsibility of third-person representation and the challenge of showing an image of emigration without falling into social class dynamics and power structures that victimize those represented. The director introduces different perspectives that address relevant issues while creating a thriller, but it seems that he doesn't fully delve into the relevant issues he raises, and the development leads to an ending that resolves the story in a rushed manner.