Stream it: pacing was off, but anyone taking a risk blending two dramatically different genres gets additional points

I should have liked this more, but it wasn't scary enough, and it wasn't funny enough, but it was romantic enough.

I had so much fun watching this. I went in blind, probably just in the right mood and mindset. I don’t remember ever seeing a horror romantic comedy before — and honestly, I never thought that would even work — but they fully embraced the goofiness needed to pull off this unusual blend. Don’t get me wrong, though — it has plenty of plot and script issues. My rating of 8 is probably more than it really deserves, but like I said, I had a fun time watching it.

Somewhere between Notting Hill and Scream lies Heart Eyes, a film that dares to blend the warmth of romantic comedies with the chills of slasher horror. Directed by Josh Ruben, this movie intertwines familiar elements from both genres into a unique narrative. The story centers on Ally McCabe (Olivia Holt), a med-school dropout turned advertising executive, and Jay Simmons (Mason Gooding), a charismatic freelance marketing guru. Their initial encounter is the epitome of a rom-com meet-cute: a mix-up at a coffee shop leading to accidental head bumps and a spilled latte. Their chemistry is undeniable, with playful banter and shared vulnerabilities that make their burgeoning relationship both relatable and endearing. As they collaborate on a challenging ad campaign, their professional interactions seamlessly evolve into a personal connection, drawing the audience into their journey. However, their romance is overshadowed by the looming threat of the “Heart Eyes Killer,” a masked murderer targeting couples on Valentine’s Day. The film masterfully balances the development of Ally and Jay’s relationship with the escalating tension of the slasher plot. Scenes transition from lighthearted moments, like Ally and Jay’s flirtatious exchanges, to intense sequences where they must outwit the killer. This juxtaposition keeps viewers engaged, offering both the comfort of romantic familiarity and the adrenaline of horror. The supporting cast adds depth to the narrative. Michaela Watkins portrays Crystal Cane, the demanding yet well-meaning boss who inadvertently brings Ally and Jay together. Devon Sawa and Jordana Brewster play Detectives Zeke Hobbs and Jeanine Shaw, whose investigation into the Heart Eyes Killer adds a procedural element to the story. Monica (Gigi Zumbado), Ally’s wisecracking, foul-mouthed best friend. Monica’s candid humor and unabashed commentary provide comic relief, balancing the film’s darker moments. Her unwavering support and brutally honest advice make her a standout character, embodying the quintessential best friend trope with a refreshing edge. Visually, the film doesn’t shy away from its horror roots. Creative and gruesome kills are depicted with a darkly comedic twist, such as a scene where the killer uses a crossbow to deliver a fatal “cupid’s arrow.” These moments are balanced with the film’s lighter scenes, ensuring that the tonal shifts feel intentional and cohesive. Heart Eyes excels in its character development. Ally’s journey from heartbreak and professional doubt to empowerment and self-discovery is compelling. Jay’s transformation from a seemingly overconfident consultant to a supportive and understanding partner adds depth to his character. Their individual growth, alongside their developing relationship, makes their story both engaging and heartwarming. In essence, Heart Eyes is a refreshing take on both the romantic comedy and slasher genres. It offers a narrative where love and fear coexist, providing audiences with a film that’s as heartwarming as it is thrilling. For those who appreciate a blend of humor, romance, and horror, this movie is a must-watch.