[Cannes '24] The film challenges the concepts of normality, rejecting the terms that define what is different or diverse, because that means implying that there is something that is normal. There is a redefinition of disability that avoids treating it from a point of view of absence, assuming the generality of human imperfection in every sense. The description of this group of young people, to whom the character of Simón joins, who increasingly assumes his simulation, delves into its complexities, placing itself on a slippery slope that, however, never rushes into farce.