[CPH:DOX '24] The documentary skillfully mixes fictional narrative elements with archival images, including the famous photo of Le Corbusier painting a fresco on the walls of the house. "_Le Corbusier didn't like plain walls. But I like plain walls. Still_", says Eileen Gray in an interview with Andrew Hodgkinson in 1975. The film, which vindicates the designer as an architect at the level of the great names of the time, but erased for a long time from the history of art, introduces an amplified view that establishes the biography within its historical context , using cinematographic references from **The Cabinet of Dr. Caligari** (Robert Wiene, 1920) or **À propos de Nice** (Jean Vigo, 1930). And it reflects how the passage of time ended up leaving the abandoned house in a state of degradation that has subsequently undergone a long restoration process for the visitors, but above all has restored the name of Eileen Gray as its creator.