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Avis de la communauté (6)
A solid action film, but one that unfortunately falls short compared to the first. It never truly stands on its own, instead lingering in the shadow of the original. This time, the filmmakers flip the script—rather than focusing on the hunt for Charnier, the story becomes a deeply personal struggle for Popeye Doyle. The result is a film that at times feels more like a one-man showcase than a tightly constructed sequel. The gritty, unpolished streets of Marseille create a raw and authentic atmosphere, but the film’s greatest strength is still Gene Hackman’s phenomenal acting. His heroin withdrawal sequence is one of the most intense and gripping moments in the film—a masterclass in dynamic, character-driven performance. This was always Hackman’s greatest strength: bringing depth and realism to his roles. One of the film’s best aspects is the chemistry between Hackman and Bernard Fresson. Their dynamic is natural and engaging, adding a solid layer to the story, even as the film remains centered around Popeye’s frustration, helplessness, and sheer desperation. As a sequel, French Connection II offers an interesting evolution of Popeye Doyle but lacks the urgency and razor-sharp intensity that made the original a masterpiece. Ratings ⭐ 7/10 Direction: 7/10 Authenticity: 7/10 Cinematography: 7/10 Acting: 9/10
The original French Connection is a classic, with great pacing, action and acting performances, especially from Hackman, who was far and away the better choice for the role than the other actors considered at the time. But the sequel really drags, and nothing much happens for, what seems like, most of the film. Popeye bickers with the Marseilles police chief, gets kidnapped and strung out on drugs, goes through what seems like an inordinately long recovery period on screen and then eventually closes in on the bad guy. This one could have been cut down to 90 minutes. Also, is it just me, or did Popeye seem like less of an asshole in the first film? He was a real dick here and not sympathetic at all as the "hero."
Like the first movie this one has also not aged well. A pity.
I like the “fish out of water” angle of “The French Connection II," but overall, the movie doesn't come close to matching the quality of its excellent predecessor. Far too many scenes end well after they should. And while Gene Hackman is still good as “Popeye” Doyle, he doesn't get all that much interesting material to work with. The interplay between Doyle and his French colleagues doesn't exactly provide much tension either. Furthermore, the change in the director's chair is also noticeable. I at least found the presentation rather boring. And even though Marseille is an interesting location, New York was much livelier in the first installment. Overall, unlike “The French Connection," this sequel is not worth a recommendation.
Starts of good (I liked the change of setting) but it goes downhill once the heroin addiction kicks off.