[IFFR'22] A complex, lively and reflective film that raises questions about a country like Japan, and that uses Mount Fuji, in the form of a tribute to Robert Breer, as an element of admiration and evocation of a paradoxical invisibility, when the view from the train does not completely allow us to glimpse the majesty of the mountain, and the images of a Japan appear at the juncture between the present and the past.