[AtlàntidaFF '22] Presented at festivals such as Locarno as one of the comedies of the year, its sense of parody must be recognized, but the treatment of the protagonist's sexuality is anachronistic for 2021. The repetition of gags (slow motion, the villain speaks English...) demonstrates the basics of the proposal, the lack of really mature ideas to build what could have been an Icelandic response to masculinized Hollywood films.