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Se saisissant d’images de drones filmant des antilopes et trouvées sur les Internets, Maxime Martinot compose un film essai. Celui-ci s’appuie pour partie sur un texte de Marguerite Duras publié en juin 1980 dans un numéro des Cahiers du cinéma – dont elle était invitée en tant que rédactrice en chef.
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[Mecal] A kind of documentary trompe l'oeil that is wrapped in an apparent story about the strange behavior of nature, based on a text written by Marguerite Duras that talks about a phenomenon that occurred on the coasts of Morocco, where thousands of antelopes were displaced to throw themselves to the sea. This collective suicide becomes a representation of the suicide of humanity, through a documentary that first offers us the story, then shows us images distorted by technology and finally discovers its true intentions. A well-crafted reflection on the herd mentality and the renunciation of freedom in the face of continuous surveillance.