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Dans les heures les plus sombres de l'Irlande, la vengeance fait briller une lumière
Irlande, hiver 1847. Après avoir combattu dans le monde entier pour l’armée anglaise, le ranger Feeney retrouve enfin son pays natal. Il découvre une terre de désolation, ravagée par la famine et la maladie. Ceux qui ont réussi à survivre sont chassés de leurs foyers par les percepteurs anglais, et condamnés à errer sur les routes. Lorsqu’il découvre que, pris à la gorge, les derniers membres de sa famille ont été exécutés pour vol de nourriture, il décide de se faire justice : du juge au gouverneur de la région, il dresse la liste des coupables.
Avis de la communauté (4)
More a genre flick than a political or socio-economic treatise, this is still an impressive piece of work I'm not going to lie – I fully expected to hate Black '47. The trailer was awful, making it look like a generic action flick; several colleagues saw the screening at ADIFF earlier in the year and were decidedly unimpressed; I thought most of the film was in English, which rubbed me up the wrong way altogether. Mainly though, I was just fulfilling my God-given right as an Irish person – being cankerous for no earthly reason whatsoever. However, because I was expecting to hate it, when I discovered, much to my chagrin, that it's actually quite good, it led to me thoroughly enjoying it. Colour me humbled. Easily the most hyped and anticipated Irish film of the last decade or so, Black '47 is proudly advertised as the "first film about the Great Famine". And were this true, it would undoubtedly occupy a canonical place in Irish artistic output in general, and Irish cinema in specific. However, there is one vital factor that everyone really needs to know before seeing it – it isn't the first film about the Famine. It's the first film set during the Famine, but it isn't about the Famine. This is a genre film, a pseudo-western revenge thriller set against the backdrop of the Famine. The Famine is not the film's central theme, nor does it attempt to engage with it on a national scale. If you accept that, and don't go in expecting to see Cecil Woodham-Smith's The Great Hunger (1991) transposed to the screen, there's actually quite a lot here to admire. For my complete review, please visit: https://boxd.it/wpIQt
A good and worthy film; more revenge flick than political drama. And because of this, the film was far more entertaining than I thought it was going to be.
[Filmin] Disguised as a western, this story of revenge successfully handles the classic tools of the genre. It does not make a deep construction of characters, but it builds a journey of despair and social disintegration that ends up being the most interesting achievement. Violence is the cause of injustice. The dirty appearance of an infertile land also serves as an oppressive atmosphere.
V and Eric Finch working together hehe