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Alfred Hitchcock vous engloutit dans un tourbillon de terreur et de tension !
John Ferguson, surnommé « Scottie », est pris de vertige tandis qu’il poursuit un malfaiteur avec un collègue policier. L’incident vaut la mort de ce dernier et la démission de Ferguson des services de police. Peu après, une ancienne connaissance de Scottie le contacte afin de lui demander de suivre sa femme, Madeleine Elster, qui semble hantée par l’esprit d’une morte, en l’occurrence sa grand-mère, qui se suicida après avoir sombré dans la folie. Scottie s'éprend de la jeune femme et se trouve ballotté par des événements qu'il ne peut contrôler.
Avis de la communauté (12)
That end was so ridiculous haha
I don't know if I went into this with high expectations because of the critical acclaim it has, but I was left a bit confused at the end as to why _Vertigo_ is so lauded. I love many movies from this era and indeed Hitchcock's work (I especially love _Rear Window_) but hadn't seen this one before. The first half of the film was enjoyable and felt like a slow burn, unfolding towards some thrilling conclusion. James Stewart is always watchable and the cast in general is good, but I felt the film's second half drastically let it down. [spoiler]There were abrupt developments, such as Stewart's character Scotty getting hospitalised then suddenly free again, and then there's how Scotty displays a manipulative stalker-like side when he finds Kim Novak's character again, and pretty much holds her captive for the remainder of the film - until her death marks the almost hilariously abrupt ending[/spoiler]. I certainly wanted to like this film, and perhaps a second viewing will unlock some of its charms, but as a first watch and impression, _Vertigo_ was sadly lacking for such a lauded film by an acclaimed director.
It's good, but the thing that sticks in my mind [spoiler](apart from the murder, the set-up of an old friend, the ruthless impersonation and a man's tragic guilt causing him to be sectioned)[/spoiler]. Is that two women died so a man didn't shit himself every time he was more than a foot off the ground.
I was prepared to give this a 10 right up till the scene where [spoiler] Judy comes out of the bathroom in her hotel dressed like Madelaine and the kiss, bathed in green light (reminiscent of the dress we first see "Madelaine" in) [/spoiler]. However, everything after that scene brought it down to a 7 for me, just seemed like a weaker ending than [spoiler] the horror of both these people living the rest of their lives haunted by a woman who never really existed [/spoiler].