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Kenneth Penmark, colonel de l'armée américaine, part comme souvent pour Washington et laisse seules sa femme Christine et sa petite fille Rhoda, un véritable petit ange blond en apparence. Les Penmark sont une famille aisée et vivent dans un bel immeuble appartenant à Mme Breedlove, une femme férue de psychanalyse qui adore la gamine. Lors d'une sortie scolaire au bord d'un lac, survient un grave accident. Un garçon qui avait gagné la première place à un concours de l'école, au grand dam d'une Rhoda envieuse, s'est noyé. Des faits non élucidés commencent à accuser la petite fille, capricieuse, roublarde et insensible, qui révèle peu à peu une personnalité troublante. Sa mère, de plus en plus isolée dans ses doutes, commence à s'inquiéter alors que des événements anciens concernant Rhoda et son propre passé enfoui remontent progressivement à la surface.
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I had wanted to see this for a long time, and I was definitely let down. As far as I am aware, this is the grandaddy of killer-kid movies. The movie makes no secret of Rhoda being a murderer; her mother, Christine, figures it out in the first act, like she's Batman! I really expected a slow build, with a big reveal in the third act, but nope. On to the problems - and there are many: First, the movie is way too long, and it's slow. Too much information is given away too early, so there is no tension. All the deaths are offscreen, so we just get people sitting around talking; almost all of this is with the adults - this needed to be Rhoda's story. The obvious problem here is that this was made in the 1950s. How do you make such a dark film during that era? Well, you just talk about what's going on instead of showing it, and you spoon feed the audience, like they're idiots. Now, to be fair, I wouldn't expect people from that time to understand psychopaths, but the filmmakers didn't seem to understand them either. While young Patty McCormack is great as Rhoda - the best part in the movie, in fact - she was directed to play her more as a narcissist, rather than someone who lacks remorse. Yet another misstep is the score. I don't know what movie the composer thought he was writing a score for, but it wasn't a movie about a murderous girl. This needed to be much better, and it would be succeeded years later, by way of _The Good Son_ (1993), and _Orphan_ (2009). Onto the final issue, the ending: [spoiler]Having foreshadowed the sleeping pills, and the gun, I knew the movie wouldn't have the balls to pay that off, and it didn't. Instead we get the double twist of mommy, and Rhoda surviving. But what's this? Rhoda is snuffed out by Zeus! Give me a break! No "happy ending!" Only death followed by more death![/spoiler] I thought it was super cute that the movie had a curtain call at the end; how quaint. Might have been the highlight. Oh, one more thought: [spoiler]Rhoda may have been a killer, but some of the adults were pretty twisted too. At least Leroy died - tell me that creep wasn't guilty of something. He had it coming, I promise. Good work, Rhoda. Like a little Dexter. And Hortense? Come on! That drunk was probably running over kids when she wasn't ringing the Penmark doorbell.[/spoiler]
Have wanted to see this one for a long time and glad finally I did. A pretty well done psychological thriller with the horror that lies in the idea of a child being born evil. It's incredible to see a mid 50s film tackling nature/nurture debate. Very bold for its time making this film easily stacks up against its contemporaries. It plays out pretty much like a play, very performance-driven and dialogue-heavy. It can feel like homework to get through at times but the film offers a very intriguing narrative and unsettling subject matter. What makes it even more compelling for me is Nancy Kelly's gradual breakdown. Her performance is simply fantastic. Although it's too long, too talky, and too stagy, it kept me entirely interested and I was impressed by many aspects of this film.
Perfect for Halloween, this is a plot line and conclusion now familiar in 'Twilight Zone' or 'Dark Mirror' troupes. The acting is superbly dramatic all around. This must have been super controversial when it was released. In fact, there's even a disclaimer as the end, saying that this film "dares to be different" and asks that audience members "not divulge the unusual climax of the story". Indeed!
A most brilliantly disturbing movie.
This is one of the better old horror/suspense movies I’ve seen. The acting was superb. This was 2 hours long but didn’t drag at all and kept me engaged. The characters Monica, Leroy, and Hortense were especially engaging. Rhoda was a good little sociopath and the way she described the events at the picnic was and still is horrifying. Before it was a film it was a broadway play and you get that play like feeling watching the movie. The ending was sort of abrupt, but I liked it. Make sure you watch the character introductions at the end, there is a little lighthearted gag scene that’s kind of funny considering what just went down in the movie. Guess they were trying to lighten the mood.